Monday, 31 October 2011

VIewing Journal: 10/31/2011

306) FRIDAY THE 13TH
(1980 dir. Sean S. Cunningham) 2nd Viewing: October 31 2011
Rating: ***1/2
3.5 out of 5 stars




305) HALLOWEEN II: DIRECTOR'S CUT
(2009 dir. Rob Zombie) 2nd Viewing: October 31 2011
Rating: ****
4 out of 5 stars




304) HALLOWEEN
(2007 dir. Rob Zombie) 2nd Viewing: October 31 2011
Rating: ***
3 out of 5 stars

Anthology Pathology

Check it out. Just look at that poster. Gives me chills, but maybe that's because I know the awfulness that awaits Benji Metcalf the hapless fucktard whose story A Fuckload of Scotch Tape is. I wrote that story trying, just trying to make someone who does something absolutely indefensible and unforgivable in the opening paragraph an object of pity. More than an object of pity. An identifiable and get-behindable protagonist who you want to see succeed... or at least escape unscathed. Did I succeed? I think so. Julian Grant thinks so. But I tell you what - reading a brief description of Benji's transgressions in a short story and watching them take place on screen are two far different experiences. When I read Julian's script, I thought, WTF? Did I write that? This is really awful territory to be hanging around in. Julian's film Fuckload of Scotch Tape is going to be an acid bath for your soul... with singing. Yeah, it's a musical. Yeah, I'm soooo good with that. In fact, thanks Julian for introducing me to the stylings of Kevin Quain and thanks Kevin for consenting to let Julian use your music to tell this pitch black (and hopefully funny) story. And hey, thanks, Graham Jenkins for donning such a terrible mustache (a plot point for my intersecting stories Fuckload and Mahogany & Monogamy). Vanity is not your name. Shooting starts this week! 

Meanwhile, had a great time in Carbondale Friday where I participated in SIUC's annual Lit-festival, The Devil's Kitchen. I was on a panel titled The Anthology Pathology with Pinckney Benedict, Laura Benedict and Josh Woods discussing the anthologies we'd edited. So believe that I pimped Noir at the Bar and D*CKED with a bawm-chicka-wow-wow soundtrack and everything. I'd never met Woods before, but was familiar with him through the Surreal South books that the Benedicts have put together every other year since '07, and I was eager to meet him. Do yourself a favor and turn to his entries early whenever you come across his work. I picked up a copy of the new anthology he edited - The Book of Villains - that's just out from Main Street Rag, while I was there and the first thing I'm doing is finishing the story he read part of at the event about the unsuccessful retirement of Blackbeard the pirate.

Took the Nerd of Noir's advice and watched Paul Andrew Williams'London to Brighton over the weekend. Brilliant film. Talk about grabbing at your tender bits from the opening shot... Fantastic performances from Lorraine Stanley as Kelly, a London prostitute who takes runaway Georgia Groome (in the third excellent portrayal of a teenager by a teenager I've seen lately - the others being Alex Shaffer in Thomas McCarthy's Win Win, and James Frecheville in David Michod's Animal Kingdom, hey writers, guess what? They're teenagers, not frustrated grad students). All we need to know about either character is observable literally on their face and in their actions. Also excellent in that cast is Johnny Harris as Kelly's pimp - sleazy goes without saying, but desperate and human to boot makes him all the more terrifying. The only odd note is Sam Spruell as the heavy hunting them down. He's effectively creepy, holding the screen like a DNA side project of Dylan Baker, Willem Dafoe and David Bowie, but the tone of his character I dunno, maybe belongs to a different movie, (like Brad Pitt in Inglourious Basterds). Still, with an 86 minute running time (and I do mean running) it's as stripped down and fight-ready as anything I've seen in a long time. Thanks, Nerd. Do yourself a favor and pay attention to the Nerd's crime flick double feature pieces in each issue of Crime Factory.   

At Ransom Notes, I'm talking to John Rector about his latest, Already Gone and... damn. That's three kick ass books in under a year and a half from his Nebraska hidey hole. Guys like him make me feel pathetic. You know somebody else who's getting shit done these days? Nik Korpon. Less than a year since his first book Stay God was released, he's published two novellas, the excellent Old Ghosts last spring and the brand new By the Nails of the Warpriest now-ish... In Print! I'm happy for authors who are getting exposure and making some money with eBooks and I'm pleased as hell that people are reading them, but it's still pretty special to have an object to read. Check out David Cranmer's interview with Nik over at the Gutter Books site.

May get out to see Sean Durkin's Martha Marcy May Marlene this week (or perhaps Jeff Nichols' Take Shelter) and I'm feeling the need to re-watch Martin McDonagh's In Bruges. Otherwise, getting through Sons of Anarchy's third season which has a pretty laughable trip to Ireland - I just keep thinking of The Brady Bunch on vacation in Hawaii - but still just enough interest to keep going. Enjoyed Stephen King's cameo early in the season and WTF with all the Deadwood cast members? I mean, good for them, but it's a weird reunion, and not the one I'd really like to see them do, but I especially love anytime Robin Weigert is onscreen. 

VIewing Journal: 10/30/2011

303) MAY
(2002 dir. Lucky McKee) Date Seen: October 30 2011
Rating: ***
3 out of 5 stars

Saturday, 29 October 2011

Viewing Journal: 10/29/2011

302) ROAD TO NOWHERE
(2011 dir. Monte Hellman) Date Seen: October 29 2011
Rating: ****
4 out of 5 stars

Friday, 28 October 2011

VIewing Journal: 10/28/2011

301) ANONYMOUS
(2011 dir. Roland Emmerich) Date Seen: October 28 2011
Rating: **
2 out of 5 stars

Viewing Journal: 10/27/2011

300) THE FURY
(1978 dir. Brian De Palma) 2nd Viewing: October 27 2011
Rating: ****1/2
4.5 out of 5 stars

Wednesday, 26 October 2011

Viewing Journal: 10/26/2011

299) THE CATECHISM CATACLYSM
(2010 dir. Todd Rohal) Date Seen: October 26 2011
Rating: ***
3 out of 5 stars

Tuesday, 25 October 2011

Viewing Journal: 10/25/2011

298) RARE EXPORTS: A CHRISTMAS TALE
(2010 dir. Jalmari Helander) 2nd Viewing: October 25 2011
Rating: ****
4 out of 5 stars

Monday, 24 October 2011

Cook Book

Over at Ransom Notes, I had fun last week posting on my favorite crime fiction macguffins including inspired by Simon Logan's terrific Katja From the Punk Band, (think Elmore Leonard'Rum Punch - or Quentin Tarantino's Jackie Brown if you don't read - and Allan Guthrie'Savage Night set in a vaguely eastern European industrial-atrophy, acid rain-soaked setting and scored by Trent Reznor's skeezy uncle). My number one macguffin? The head from Sam Peckinpah's Bring Me the Head of Alfredo Garcia. I'm not so un-self-aware that I don't notice the ridiculously lopsided nature of the list - that most of the examples I mention are under twenty years old, but go ahead, leave a comment and edjumicate my ignorance.

Today at Ransom Notes I'm sticking with the urban decay and talking Derek Raymond and the re-release of The Factory novels from Melville House, (featuring new introductions by James Sallis on He Died With His Eyes Open and Will Self on I Was Dora Suarez).

Holy craps, but it's a big week for electronic crime journals with brand new issues of Crime Factory and Plots With Guns. PWG features N@B alum Matthew C. Funk as well as Stephen Graham Jones, Pete Risley, Patricia Abbott, Ryan Jackson, Thomas Pluck M. James Blood, Chris Gordon, Art Taylor and Charles Dodd White, while CF has got pieces by Funk (he's everywhere), Nik Korpon, Seth Harwood, David James Keaton, Heath Lowrance, Doc O'Donnell, Nick Quantrill, Matthew Finn, Julia Madeleine, Andrew Nette, Michael Peck and Addam Duke interviewing Jake Adelstein.

The Nerd of Noir's crime double feature for this issue is Andrew WilliamsLondon to Brighton which I haven't seen, but will very soon, believe it, and Ben Wheatley'Down Terrace which I have and need to see again. Really, really need to watch again. It was a most unusual experience and I'm eager to have another go. Based on the strength of Terrace, Wheatley's next Kill List is way up top of my anticipated films list. Incidentally, I first heard of Terrace from the Ray Banks, who has usually got a keen eye for quality, but take a gander at his counter-brilliance take on Nicolas Winding Refn's Drive over at the always worthwhile Norma Desmond's Monkey. How wrong he is. How wrong. Well, he's backed up his opinions with some words that are worth reading even if they're off the mark. 

Sorry, Ray, your points seem to be too much about what the book might've become onscreen, (and hell yeah, I was excited to hear Neil Marshall was doing it) instead of what the film is as its own entity. I never did read James Sallis's novel, but I've read the original short story that became the novel, (from the sadly out of print Measures of Poison - what a hell of a good book if you ever come across one, do not blink, pick it up) and was still able to leave things like Driver's backstory sketches out of the movie experience... because they're not in the movie, which means they don't exist. As portrayed in the film, Driver may be a PTSD war vet or fucked up suburban kid, who knows, all we've got is what's on screen. 

Driver's experience of the film's events are like the star of his own movie - his posing, his walk, his toothpick, his fuckin scorpion jacket, his dialogue ('shut your mouth or I'll shut it for you'), and of course his driving. I think the movie world he exists in is fairly meta or just seriously delusional (which could account for touches like the strippers' stock-still postures while he assaults Chris with a hammer - like something out of a Robert Palmer video - and his weird fetishy need to don the creepy mask and the soundtrack that must be playing in his own head) and as for the driving not being anything we haven't seen before, I'd love to hear a recording of some executive trying to make him shoot that second chase's climax outside in a wide shot instead of through the back window to the side of Christina Hendricks' face - really a brilliant shot. So, style to burn. 

Sounds like the source material would support several solid takes, but dismissing what we've got for what could've been just wont fly this time, (I reserve the right to do that any time I want to BTW. 'Cause I do, I know. A lot.) Any way, Norma Desmond's Monkey is a helluva good movie blog if you don't follow it you're missing good shit, and meanwhile Ray's got hisself quite a blurb from none other than Lee Child - check that shit out

Speaking of style to burn, Julian Grant looses more style when he blows his nose than McG could ape in a dozen unwanted theatrical adaptations of vintage television shows, and I can't wait to see what the hell he does with FLOST... 10 days till shooting begins. 

And Friday I'll be in Carbondale with Josh Woods, Pinckney and Laura Benedict... and I'll be thirsty.

Viewing Journal: 10/24/2011

297) TAKE SHELTER
(2011 dir. Jeff Nichols) Date Seen: October 24 2011
Rating: ****
4 out of 5 stars





296) WINNIE THE POOH
(2011 dir. Stephen Anderson, Don Hall) Date Seen: October 24 2011
Rating: ***1/2
3.5 out of 5 stars

Sunday, 23 October 2011

Viewing Journal: 10/23/2011

295) THE THREE MUSKETEERS 3D
(2011 dir. Paul W.S. Anderson) Date Seen: October 23 2011
Rating: **
2 out of 5 stars

Saturday, 22 October 2011

Viewing Journal: 10/22/2011

294) PARANORMAL ACTIVITY 3
(2011 dir. Henry Joost, Ariel Schulman) Date Seen: October 22 2011
Rating: **1/2
2.5 out of 5 stars



293) LITTLE ODESSA
(1994 dir. James Gray) Date Seen: October 22 2011
Rating: ***1/2
3.5 out of 5 stars

Friday, 21 October 2011

Viewing Journal: 10/21/2011

292) A TALE OF TWO SISTERS
(2004 dir. Jee-woon Kim) Date Seen: October 21 2011
Rating: ****
4 out of 5 stars





291) BRIDESMAIDS
(2011 dir. Paul Feig) 2nd Viewing: October 21 2011
Rating: ***1/2
3.5 out of 5 stars

Waco State of Mind

Two seasons removed from the Elite 8, Baylor's talent filled roster looks to take
the next step forward this year.






How much will LaceDarius Dunn's departure be felt?  Through his Junior & Senior years, Dunn led the Bears in points per game.  One of the better scorers in basketball throughout his last two years in college, the 6'4" guard seemed capable of pouring it in from anywhere at times. 

Perry Jones, a projected lottery pick in the 2012 draft, decided to stay at Baylor.  One has to believe that his decision had much to do with the uncertainty of the NBA actually playing any games in the 2011-12 season.  Chicago native Quincy Miller will be his running mate in the Baylor frontcourt.  His versatility should definitely help out Baylor, as well as give Perry Jones more isolation opportunities in the low post.  Pro Scouts have also been extremely impressed with Miller's Basketball I.Q.  When you have a player who's 6'8" and knows the game like Miller does, it can be extremely dangerous for the opposition.  Expect the Baylor frontcourt to dominate virtually all opponents this upcoming season.

If you go on YouTube, you can find a plethora of Duece Bello highlights films.  Almost unanimously considered the best dunker amongst freshman this year, Duece should somewhat be able to fill the void left in the Baylor backcourt by LaceDarius Dunn.  Although his jumpshot tends to be a bit spotty, his athleticism and ability to drive at will has head coach Scott Drew referring to him as "the most athletic player I've ever recruited." 

Depending on where they are placed during March, the Bears are very capable of making a run at the final four this year.  All of their pieces simply need to gel together.  If Jones and Miller show out they way that they're capable of this year, and the others can excel in their roles, the Bears will without a doubt compete for a date in New Orleans this year.






Thursday, 20 October 2011

HALLOWEEN HORROR MOVIE QUIZ

aka DR. ANTON PHIBES’ ABOMINABLY ERUDITE, MUSICALLY MALIGNANT, CURSEDLY CLEVER HALLOWEEN HORROR MOVIE QUIZ

another, from the mind of D.Cozzalio


1) FAVORITE VINCENT PRICE/AMERICAN INTERNATIONAL PICTURES RELEASE
Corman's MASQUE OF THE RED DEATH (1964). Nicolas Roeg's cinematography - nightmarishly beautiful (as always). And Price - nothing less than iconic.



2) WHAT HORROR CLASSIC (OR NON-CLASSIC) THAT HAS NOT YET BEEN REMADE WOULD YOU LIKE TO SEE UPGRADED FOR MODERN AUDIENCES?
I'd personally like to see Clive Barker's NIGHTBREED aka CABAL get a better screen version than the 1990 one. And I have somewhat lofty dreams of being the director who gets to update it. Granted, I'd need a pretty hefty budget and better established screen cred to even get Clive's permission to redo it.






3) Jonathan Frid or Thayer David?


4) Name the one horror movie you need to see that has so far eluded you.


5) Favorite film director most closely associated with the horror genre.


6) Ingrid Pitt or Barbara Steele?


7) Favorite 50’s sci-fi/horror creature.


8) Favorite/best sequel to an established horror classic.


9) Name a sequel in a horror series which clearly signaled that the once-vital franchise had run out of gas.


10) John Carradine or Lon Chaney Jr.?


11) What was the last horror movie you saw in a theater? On DVD or Blu-ray?


12) Best foreign-language fiend/monster.


13) Favorite Mario Bava movie.


14) Favorite horror actor and actress.


15) Name a great horror director’s least effective movie.


16) Grayson Hall or Joan Bennett?


17) When did you realize that you were a fan of the horror genre? And if you’re not, when did you realize you weren’t?


18) Favorite Bert I. Gordon (B.I.G.) movie.


19) Name an obscure horror favorite that you wish more people knew about.


20) The Human Centipede-- yes or no?


21) And while we’re in the neighborhood, is there a horror film you can think of that you felt “went too far”?


22) Name a film that is technically outside the horror genre that you might still feel comfortable describing as a horror film.


23) Lara Parker or Kathryn Leigh Scott?


24) If you’re a horror fan, at some point in your past your dad, grandmother, teacher or some other disgusted figure of authority probably wagged her/his finger at you and said, “Why do you insist on reading/watching all this morbid monster/horror junk?” How did you reply? And if that reply fell short somehow, how would you have liked to have replied?


25) Name the critic or Web site you most enjoy reading on the subject of the horror genre.


26) Most frightening image you’ve ever taken away from a horror movie.


27) Your favorite memory associated with watching a horror movie.


28) What would you say is the most important/significant horror movie of the past 20 years (1992-2012)? Why?


29) Favorite Dr. Phibes curse (from either film).


30) You are programming an all-night Halloween horror-thon for your favorite old movie palace. What five movies make up your schedule?

Viewing Journal: 10/20/2011

290) I'M A CYBORG, BUT THAT'S OKAY
(2006 dir. Park Chan-wook) Date Seen: October 20 2011
Rating: ***1/2
3.5 out of 5 stars



289) YOUNG FRANKENSTEIN
(1974 dir. Mel Brooks) 5th Viewing: October 20 2011
Rating: ****1/2
4.5 out of 5 stars
Bravo Colleyville Cinema Grille for actually projecting a good and bright digital version of this tonight. Probably my favorite Mel Brooks pic.

Wednesday, 19 October 2011

Viewing Journal: 10/19/2011

288) UNDOCUMENTED
(2011 dir. Chris Peckover) Date Seen: October 19 2011
Rating: ***
3 out of 5 stars

Tuesday, 18 October 2011

Viewing Journal: 10/18/2011

287) RED STATE
(2011 dir. Kevin Smith) Date Seen: October 18 2011
Rating: **1/2
2.5 out of 5 stars

Monday, 17 October 2011

Viewing Journal: 10/17/2011

286) FOOTLOOSE
(2011 dir. Craig Brewer) Date Seen: October 17 2011
Rating: **
2 out of 5 stars

Ketchum If You Can

So I came across the artwork for the Surreal South '11 anthology online the other day. Looks spooky nice. Really excited to be part of it. Could, at this point, launch into a long-winded 'you've come a long way, baby' back pat here, but that would be unseemly. You, on the other hand, are welcome to go on and on about me. Really, just being included in this collection is a big ol' sloppy smooch to my ego. The lineup is great - N@B alum like Laura Benedict, Pinckney Benedict, Anthony Neil Smith and John Hornor Jacobs, plus Sophie Littlefield, Nik Korpon, Brad Green, J.T. Ellison, Sheryl Monks, John McManus and and and... Yeah, a buncha goodness/badness. On October 28, I'll be headed out to Carbondale, Il for the Devil's Kitchen Literary Festival at SIUC where I'll join Laura, Pinckney and Josh Woods on a panel called The Anthology Pathology. Come say 'hi' if you're around.

Over at Ransom Notes I'm getting into some of those seasonally appropriate creepy books that I've enjoyed in the last couple of years. One that landed on my desk recently was the Joe Lansdale edited  Horror Hall of Fame anthology featuring Bram Stoker Award winning short stories from the likes of David Morrell, Harlan Ellison, George R.R. Martin and somebody I've had my eye snagged on for a while now, Jack Ketchum. Dammit, it's time for me to read some of that.

Tom Piccirilli posted this sweet lil' recommendation for Noir at the Bar on his blog. Thanks, Tom. John Kenyon also had some nice things to say about it and D*CKED too over at the web presence for his new baby, Grift Magazine. Hell between Grift and the brand new Criminal Complex online journal, exciting things are happening in publishing, (good shit from Jay Tomio, Jimmy Callaway, Cameron Ashley, Matthew C. Funk, Josh Converse, Johnny-99 and Keith Rawson.) And shit, the latest issue of Needle is live. Steve Weddle - there I said it - and company have put together another great lineup of new fiction including the conclusion to Ray Banks' Wolf Tickets - can't wait. You can buy that shit right here. I wish I had more time to writes, 'cause I'd be terribly pleased to contribute here, there and everywhere.

Just a reminder that Daniel Woodrell will be appearing Friday at COCA in University City for an event hosted by Subterranean Books in support of his terrific new short story collection The Outlaw Album. Tickets must be purchased for this event and will cover the price of the book and secure you a seat for the screening of Winter's Bone. So, yeah, it's a no-brainer to buy a ticket - you're gonna love the book. I gave a little rundown of some of my favorite pieces included over at Ransom Notes last week.

Sunday, 16 October 2011

Viewing Journal: 10/16/2011

285) MYSTERIES OF LISBON
(2011 dir. Raoul Ruiz) Date Seen: October 16 2011
Rating: ****1/2
4.5 out of 5 stars

Saturday, 15 October 2011

Viewing Journal: 10/15/2011

284) CLOUD 9
(2009 dir. Andreas Dresen) Date Seen: October 15 2011
Rating: ***1/2
3.5 out of 5 stars




283) ZOOKEEPER
(2011 dir. Frank Coraci) Date Seen: October 15 2011
Rating: *
1 out of 5 stars

NBA 2K12 First Impressions

No rookies?  No problem.  NBA 2K12. will give basketball gamers all that they
 need during the duration of the NBA lockout.







No Kyrie. No Derrick Williams. Nobody will be taught how to Jimmer for the better part of two months since the release of the game. The lockout has left a number of NBA fans depressed, and maybe even drove a larger number away from watching the pro game. However, if you are a basketball junkie like myself, then NBA 2K12 will give you more than you need to stay entertained before the 2011-12 NBA season begins (whenever that may be). 

For the better part of an hour I navigated the menus, in absolute awe of a video game of all things. The 1964-65 Lakers vs the 1964-65 Celtics consumed the majority of my attention on October 4th. The black and white display, announcers' voices sounding 1960-ish, and no three point line were all among the amazing features that had my jaw dropped. Bill Russell, like he did in his playing days, changed the game like no one else. John Havlicek, with the ability to score from anywhere on the floor, bailed me out on numerous occasions. However, if the game came down to the closing minutes, Jerry West or high flying Elgin Baylor would stick a dagger in my heart with a spectacular play that they seemed to come up with on every single possession in the game's final quarter or overtime. Nonetheless, the NBA's Greatest Mode is extremely authentic, and even the casual basketball fan will be able to appreciate its accurate representation of the game in the "good ol' days."

The pregame pump up video is insane. Not only does the music coincidentally seem to fit whatever kind of game that you're playing, but one song even has a special effect when it is played during the pregame promo. If the song "Awesome" comes on, the word AWESOME will even pop up during the promo. After the short clip, the starting lineups look even more realistic than ever before. The back court players come up on the screen, dribbling the ball or even twirling it around their head while it displays their stats and percentages. The same happens with the three front court players. Like last year, the pregame rituals (such as Dwayne Wade's chin-ups on the rim, LeBron's Powder Toss, Tim Duncan's caressing the ball, etc.) all remain on one of the top selling franchises in sports video games. 

I have not seen it for myself, but from what I've heard, shots at the buzzer are reviewed on this year's game. It has been told to me that the referees go to the monitor after the shot, and even review the play in slow motion, so that one can tell much easier whether or not the shot was released on time. While the celebrations for winning shots are still a bit generic, the atmosphere in the arena definitely gets magnified by 100 when the game is close in the final seconds. Another thing that had me constantly viewing to the replay was the animated first row of the crowd. If the ball is heading towards the people who paid Donald Trump like money for their floor seats, they sometimes actually flinch to get out of the way. Other times, it seems like they also gravitate towards the ball. Some fan will be going home with a lucky souvenir. 

A thing that went remarkably unnoticed during Miami's 2006 Title run was the "White Out" by Heat fans. When you look around the crowd and see nothing but white, you know that the crowd is behind their team, and the stakes couldn't be higher. Now, when you play with certain teams on NBA 2K12, the local faithful will wear their battle colors. Whether it may be the blue for Oklahoma City, all red for the Windy City, or green in Beantown, you definitely know where you're playing during the postseason.

Now, unfortunately, come some of the negatives.  Despite 2K's servers being a major issue the last few years, they still have not been fixed.  On the game's release day, when I first played online, once I finally did find an opponent poor connection wouldn't even allow us to play.  Also, there were a few instances when the game froze after a defensive three second violation.  But, even with these few flaws found in this game, it without a doubt deserves the 9.5 rating that it received from IGN.com.

If you appreciate throwback basketball at its finest, do not hesitate to purchase the latest installment of 2K Basketball.  If you're a graphics person, then you may want to take a trip to your local Wal-Mart and pick up this game.  The faces look unbelievably real.  All in all, the pros outweigh the cons by a long shot.  Those who say "With no rookies, it's just like play NBA 2K11 all over again" couldn't be further from the truth.  In my opinion, this is the biggest leap that i've ever seen a sports game make over the span of just one year.

Friday, 14 October 2011

Viewing Journal: 10/14/2011

282) THE YARDS: DIRECTOR'S CUT
(2000 dir. James Gray) Date Seen: October 14 2011
Rating: ****
4 out of 5 stars




281) THE CABINET OF DR. CALIGARI
(1920 dir. Robert Wiene) 2nd Viewing: October 14 2011
Rating: *****
5 out of 5 stars



280) NOSFERATU
(1922 dir. F.W. Marnau) 2nd Viewing: October 14 2011
Rating: *****
5 out of 5 stars

Thursday, 13 October 2011

Viewing Journal: 10/13/2011

279) THE THING
(2011 dir. Matthijs van Heijningen Jr.) Date Seen: October 13 2011
Rating: ***
3 out of 5 stars



278) PEARL JAM TWENTY
(2011 dir. Cameron Crowe) Date Seen: October 13 2011
Rating: ****
4 out of 5 stars

Wednesday, 12 October 2011

Viewing Journal: 10/12/2011

277) THE IDES OF MARCH
(2011 dir. George Clooney) Date Seen: October 12 2011
Rating: ***1/2
3.5 out of 5 stars

Keeping Up With Jones

Lookie there, the folks over at the Mulholland Books blog are spotlighting the Crime Factory anthology – nice – and they’re even giving away a free sample of what you’ll find inside. S’right, one of the stories from the antho is available to be read for free at the Mulholland site and it’s… mine?

Cool. If you’d like to read my story Amateurs, for goodness sake don’t go buy the book, (unless you wanna show your support for N@B alum like Dennis Tafoya, Jonathan Woods, Hilary Davidson, Frank Bill and Cameron Ashley, or else you dig folks like Roger Smith, Ken Bruen, Charlie Stella, Adrian McKinty, Scott Wolven, Craig McDonald, Dave Zeltserman, Greg Bardsley, Kieran Shea, Keith Rawson, Jimmy Callaway, Andrew Nette, Leigh Redhead, Patricia Abbott, Josh Converse, Liam Jose, Nate Flexer, Chad Eagleton, Steve Weddle, Anonymous-9, Dave White and Chris F. Holm), just head on over to Mulholland.

Those folks from Mulholland are awful busy with the whole publishing thing, and not just brand new titles. They’ve been making some good outta print shit available again and hopefully introducing some worthy and underexposed titles and talent to a new audience. One of my favorites reads of the summer was one of those – A Single Shot by Matthew F. Jones. It’s hardcore, kiddos. Not for the faint. But if it’s something you’re interested in, leave a comment on this here blog post and Friday I’ll choose somebody to send a copy to.

After A Single Shot, I’m looking for more Jones and hell, Brian Lindenmuth had some damn good words for Boot Tracks, so I’ve got my eyes peeled special for that one. And Rusty Barnes said Deepwater was the shit, so I’m on to that one too. Oooh, lookit – Deepwater was made into a movie too directed by David S. Marfield. Damn. I’ve got a lot to be looking for. I get especially excited about these small crime films because at their low-budget level nobody is losing too much money by making them hardcore, bleak, uncompromising or y’know… better.

Watched a great little crime flick this week, Ed Gass-Donnelly's Small Town Murder Songs starring the ever-watchable Peter Stormare as a middle-aged, small-town police chief investigating his first murder, though apparently not the first killing he's had ties to. Its measured pace, stately composition and bracingly spiritual soundtrack help, but it's the performances by the whole cast and especially Stormare, Martha Plimpton, Jill Hennessey and Stephen Eric McIntyre, (he was in Nicolas Winding Refn's Fear X and Scott Frank's The Lookout? Really? Hmm) that really give the picture weight. It's a brooder, but not a plodding one. The central investigation is refreshingly straight-forward and simple while the interpersonal dynamics are the complex main story. I'll have to check out Gass-Donnelly's This Beautiful City soon.


A bit more than three weeks before shooting begins on another micro-budget crime film I'm excited about: Julian Grant's FLOST, a noir musical based on my short story A Fuckload of Scotch Tape. Grant calls the project "a two fisted, no apologies love letter to James Ellroy, Busby Berkley, poverty row cinema and the genius of Edgar Ulmer." You can keep up with FLOST at the production website.

Just so happens that the other story I had published in Out of the Gutter (#6), Viscosity is also being made into a film - though this one's a short where Fuckload's a feature, (nobody wants a feature length adaptation of Viscosity, trust me). Paul von Stoetzel, (yeah, the guy doing the Dennis Tafoya adaptation How to Jail) is shooting this one and I'm really interested to see how it turns out. I hope you laugh. And cry. And don't try anything you learn about, while watching it, at home.

At Ransom Notes I'm listing some upcoming reads to get excited about including a non-fiction book by Christopher Goffard called You Will See Fire. It's untangling the story of a shotgun-toting missionary in Kenya and his death. Sounds awesome, after all Goffard's the dude what wrote Snitch Jacket don't you know? There's a weird convergence of things it's reminding me of: the new Marc Forster flick Machine Gun Preacher, the two forthcoming Kyle Minor books - The Sexual Lives of Missionaries and the true crime-ish A Kidnapping in Haiti, (I can't recall if it has a name, or if I just pulled that outta my posterior) and Elmore Leonard's Pagan Babies. I'm sure I'm doing it a terrible disservice with this sort of reductive exercise, but it amuses me.

Tuesday, 4 October 2011

On the Money

Over at Ransom Notes, I'm talking 'bout Christa Faust's latest, sawed-off, hardboiled, pump-action, pulp-shooter Choke Hold. Really dug it. Reminded me of the reasons I like Anthony Neil Smith's Billy Lafitte books - real characters in really fucked up situations, responding in emotionally honest ways to wild-ass shit. That, plus they're series books that don't feel like series books. Yes, there's a benefit to reading the preceding books, but they stand on their own and are not at all a retread of the first.

Have you not read Faust? Tell you what, leave a comment on this post and you'll be entered to win a copy of the first of her Angel Dare books, Money Shot. I'll choose a winner on Friday.

Picked up my ticket for the October 21 Daniel Woodrell event in St. Louis. Yup, you'll need a ticket to get into the COCA auditorium for Q&A and screening of the film Winter's Bone. Tickets are $25, ($30 for couples) and will include a copy of his brand new book, The Outlaw Album. So, yeah, pick up your ticket from Subterranean Books asap.

While you're at Subterranean, go ahead and pick up a copy of Noir at the Bar - it's good for you.